Indian-British artist Anish Kappor’s raising smoke installation Ascension was shown at the dome of the basilica di San Giorgio during the 54th Venice Art Biennale.
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Critically-acclaimed British installation artist Richard Wilson conceived this site-specific piece which magically alters the façade of an industrial building as part of the 2007 Liverpool Biennial. Wilson cut an 8-metre diameter disc from the walls and windows of the building, and attached it to a motor which literally turns this section of the building inside out, in a cycle lasting just over two minutes. Interior view of the piece. Critically-acclaimed British installation artist Richard Wilson conceived this site-specific piece which magically alters the façade of an industrial building as part of the 2007 Liverpool Biennale. Wilson cut an 8-metre diameter disc from the walls and windows of the building, and attached it to a motor which literally turns this section of the building inside out, in a cycle lasting just over two minutes. Exterior view of the piece. 20:50 is one of the most celebrated pieces of installation art. Conceived by British artist Richard Wilson in 1987, it was acquired by the Saatchi Gallery and soon became its flagship work. It consists of a room filled with oil up to a height of 1 meter, thus creating a mesmerizing reflective effect. The films of Ben Rivers (born Somerset, 1972, lives in London) are rich, cinematic portraits that explore wilderness environments and self-contained worlds, representing memory through visual fragments. Primarily shot on 16mm black and white film, sometimes on out-of-date stock, Rivers’ work has the appearance of ageing, archival footage. The films of Ben Rivers (born Somerset, 1972, lives in London) are rich, cinematic portraits that explore wilderness environments and self-contained worlds, representing memory through visual fragments. Primarily shot on 16mm black and white film, sometimes on out-of-date stock, Rivers’ work has the appearance of ageing, archival footage. |
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