A panoramic view of the Arsenale exhibit at the 54th Venice Art Biennale (June-November 2011) which is about to finish.
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20:50 is one of the most celebrated pieces of installation art. Conceived by British artist Richard Wilson in 1987, it was acquired by the Saatchi Gallery and soon became its flagship work. It consists of a room filled with oil up to a height of 1 meter, thus creating a mesmerizing reflective effect. Belgian artist Edith Dekyndt focuses on elements that are difficult to perceive without targeted attention, as well as on the scale ratio between the infinitesimal and the infinite. Despite her sometimes high-tech scientific approach, her work displays an intimate feel, both discreet and delicate, more of a development of a question than a real answer, and based on hypothesis rather than assertion. Body Press is a seminal piece of performance art with a mix of 8mm film incorporated into it. It was conceived by Dan Graham in 1970. Two filmmakers stand within a surrounding and completely mirrorized cylinder, body trunk stationary, hands holding and pressing a camera’s back-end flush to, while slowly rotating it about, the surface cylin-der of their individual bodies. |
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