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	<title>Studio Banana TV &#187; Visual Arts</title>
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		<title>Ascension, Anish Kapoor</title>
		<link>http://studiobanana.tv/2011/12/08/ascension-anish-kapoor/</link>
		<comments>http://studiobanana.tv/2011/12/08/ascension-anish-kapoor/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 16:07:56 +0000</pubDate>
		<dc:creator>Key Portilla-Kawamura</dc:creator>
				<category><![CDATA[Visual Arts]]></category>
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		<category><![CDATA[Biennale Venice]]></category>
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		<category><![CDATA[smoke]]></category>
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		<category><![CDATA[Venice]]></category>

		<guid isPermaLink="false">http://studiobanana.tv/?p=11952</guid>
		<description><![CDATA[Indian-British artist Anish Kappor's raising smoke installation Ascension was shown at the dome of the basilica di San Giorgio during the 54th Venice Art Biennale.]]></description>
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		<title>Track and Field, Allora and Calzadilla</title>
		<link>http://studiobanana.tv/2011/12/05/track-and-field-allora-and-calzadilla/</link>
		<comments>http://studiobanana.tv/2011/12/05/track-and-field-allora-and-calzadilla/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 15:59:27 +0000</pubDate>
		<dc:creator>Key Portilla-Kawamura</dc:creator>
				<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Allora]]></category>
		<category><![CDATA[Allora & Calzadilla]]></category>
		<category><![CDATA[Biennale Venice]]></category>
		<category><![CDATA[Calzadilla]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Track and Field]]></category>
		<category><![CDATA[United States]]></category>
		<category><![CDATA[USA]]></category>
		<category><![CDATA[Venice]]></category>

		<guid isPermaLink="false">http://studiobanana.tv/?p=11950</guid>
		<description><![CDATA["Track and Field" by Jennifer Allora and Guillermo Calzadilla features an inverted 52-ton tank and a treadmill. The installation is temporarily on show outside the United States of America Pavilion at Venice Biennale 2011. The connotations to war, heroism, competition and endurance are obvious.]]></description>
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		<title>Dead Forest Storm, Charly Nijensohn</title>
		<link>http://studiobanana.tv/2011/12/02/dead-forest-storm-charly-nijensohn/</link>
		<comments>http://studiobanana.tv/2011/12/02/dead-forest-storm-charly-nijensohn/#comments</comments>
		<pubDate>Fri, 02 Dec 2011 22:03:57 +0000</pubDate>
		<dc:creator>Key Portilla-Kawamura</dc:creator>
				<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Brazil]]></category>
		<category><![CDATA[Charly Nijensohn]]></category>
		<category><![CDATA[Dead Forest Storm]]></category>
		<category><![CDATA[Video Art]]></category>

		<guid isPermaLink="false">http://studiobanana.tv/?p=11948</guid>
		<description><![CDATA[A short film by Argentinian director Charly Nijensohn. Thirty years ago, the Brazilian government authorized the construction of the Balbina Hydroelectric Dam, in the heart of the Amazonia region, with the aim to provide energy to the city of Manaus. ]]></description>
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		<title>Workday, Julie Mehretu</title>
		<link>http://studiobanana.tv/2011/11/30/workday-julie-mehretu/</link>
		<comments>http://studiobanana.tv/2011/11/30/workday-julie-mehretu/#comments</comments>
		<pubDate>Wed, 30 Nov 2011 21:55:01 +0000</pubDate>
		<dc:creator>Key Portilla-Kawamura</dc:creator>
				<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Ethiopia]]></category>
		<category><![CDATA[Guggenheim]]></category>
		<category><![CDATA[Julie Mehretu]]></category>
		<category><![CDATA[Workday]]></category>

		<guid isPermaLink="false">http://studiobanana.tv/?p=11945</guid>
		<description><![CDATA[Filmed in her Berlin studio, Ethiopian artist Julie Mehretu discusses the ups and downs of her daily studio practice. Mehretu is shown working on the painting "Middle Grey" (2007-2009), one work in a suite of seven paintings commissioned by the Deutsche Guggenheim as part of the exhibition "Julie Mehretu: Grey Area."]]></description>
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		<title>Anything is Possible, William Kentridge</title>
		<link>http://studiobanana.tv/2011/11/27/anything-is-possible-william-kentridge/</link>
		<comments>http://studiobanana.tv/2011/11/27/anything-is-possible-william-kentridge/#comments</comments>
		<pubDate>Sun, 27 Nov 2011 21:49:53 +0000</pubDate>
		<dc:creator>Key Portilla-Kawamura</dc:creator>
				<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[Anything is Possible]]></category>
		<category><![CDATA[Johannesburg]]></category>
		<category><![CDATA[South Africa]]></category>
		<category><![CDATA[William Kentridge]]></category>

		<guid isPermaLink="false">http://studiobanana.tv/?p=11942</guid>
		<description><![CDATA[William Kentridge describes Johannesburg, South Africa, providing a social and historical context for his animated films, including "Johannesburg, 2nd Greatest City after Paris" (1989).
]]></description>
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		<title>Endless Sandwich, Peter Weibel</title>
		<link>http://studiobanana.tv/2011/11/24/endless-sandwich-peter-weibel/</link>
		<comments>http://studiobanana.tv/2011/11/24/endless-sandwich-peter-weibel/#comments</comments>
		<pubDate>Thu, 24 Nov 2011 21:42:19 +0000</pubDate>
		<dc:creator>Key Portilla-Kawamura</dc:creator>
				<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Austria]]></category>
		<category><![CDATA[Endless Sandwich]]></category>
		<category><![CDATA[Peter Weibel]]></category>
		<category><![CDATA[Video Art]]></category>

		<guid isPermaLink="false">http://studiobanana.tv/?p=11939</guid>
		<description><![CDATA[Soviet-born, Austrian-raised Peter Weibel is an enigmatic artist working in a variety of formats. He was one of the pioneers of media art. Endless Sandwich is a 1969 closed circuit video experiment. ]]></description>
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		<title>Butterfly, Richard Wilson</title>
		<link>http://studiobanana.tv/2011/11/21/butterfly-richard-wilson/</link>
		<comments>http://studiobanana.tv/2011/11/21/butterfly-richard-wilson/#comments</comments>
		<pubDate>Mon, 21 Nov 2011 18:49:20 +0000</pubDate>
		<dc:creator>Key Portilla-Kawamura</dc:creator>
				<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Britain]]></category>
		<category><![CDATA[Butterfly]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Richard Wilson]]></category>
		<category><![CDATA[UK]]></category>
		<category><![CDATA[United Kingdom]]></category>
		<category><![CDATA[Wapping Project]]></category>

		<guid isPermaLink="false">http://studiobanana.tv/?p=11937</guid>
		<description><![CDATA[For Butterfly, British installation artist Wilson bought a scrapped Cessna light aircraft, reassembled it, stripped its identifying paintwork from its aluminium body then crushed it into a rough ball. ]]></description>
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		<title>Turning the Place Over (interior), Richard Wilson</title>
		<link>http://studiobanana.tv/2011/11/18/turning-the-place-over-interior-richard-wilson/</link>
		<comments>http://studiobanana.tv/2011/11/18/turning-the-place-over-interior-richard-wilson/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 18:43:19 +0000</pubDate>
		<dc:creator>Key Portilla-Kawamura</dc:creator>
				<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Britain]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[Liverpool]]></category>
		<category><![CDATA[Liverpool Biennial]]></category>
		<category><![CDATA[Richard Wilson]]></category>
		<category><![CDATA[Turning the Place Over]]></category>
		<category><![CDATA[UK]]></category>
		<category><![CDATA[United Kingdom]]></category>

		<guid isPermaLink="false">http://studiobanana.tv/?p=11935</guid>
		<description><![CDATA[Critically-acclaimed British installation artist Richard Wilson conceived this site-specific piece which magically alters the façade of an industrial building as part of the 2007 Liverpool Biennial. Wilson cut an 8-metre diameter disc from the walls and windows of the building, and attached it to a motor which literally turns this section of the building inside out, in a cycle lasting just over two minutes. Interior view of the piece.]]></description>
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		<title>Turning the Place Over, Richard Wilson</title>
		<link>http://studiobanana.tv/2011/11/16/turning-the-place-over-richard-wilson/</link>
		<comments>http://studiobanana.tv/2011/11/16/turning-the-place-over-richard-wilson/#comments</comments>
		<pubDate>Wed, 16 Nov 2011 18:38:18 +0000</pubDate>
		<dc:creator>Key Portilla-Kawamura</dc:creator>
				<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Architecture]]></category>
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		<category><![CDATA[United Kingdom]]></category>

		<guid isPermaLink="false">http://studiobanana.tv/?p=11933</guid>
		<description><![CDATA[Critically-acclaimed British installation artist Richard Wilson conceived this site-specific piece which magically alters the façade of an industrial building as part of the 2007 Liverpool Biennale. Wilson cut an 8-metre diameter disc from the walls and windows of the building, and attached it to a motor which literally turns this section of the building inside out, in a cycle lasting just over two minutes. Exterior view of the piece.]]></description>
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		<title>54 Venice Art Biennale (Giardini)</title>
		<link>http://studiobanana.tv/2011/11/13/54-venice-art-biennale-giardini/</link>
		<comments>http://studiobanana.tv/2011/11/13/54-venice-art-biennale-giardini/#comments</comments>
		<pubDate>Sun, 13 Nov 2011 18:32:25 +0000</pubDate>
		<dc:creator>Key Portilla-Kawamura</dc:creator>
				<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Biennale Venice]]></category>
		<category><![CDATA[Giardini]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Venice]]></category>

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		<description><![CDATA[A panoramic view at the Giardini pavilions of the 54th Venice Art Biennale (June-November 2011) which is about to finish.]]></description>
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